"Ridley Scott emerges from a chat with editor Pietro Scalia and Dino De Laurentiis and goes right into a meeting with members of a Manhattan design studio, who've come to pitch ideas for the film's opening title sequence. They present Scott with storyboards offering a tour through the chambers of Lecter's mind and discuss using the aptly named type font: Chianti."
[Scott (whom Pauline Kael once called a "visual hypnotist") trained as a painter and graphics designer at the Royal College of Art in London.]